Through the eyes of 14-year-old Benjamin, and set over the course of a long, hot, Queensland summer, the Law family navigate a series of sometimes disastrous events which become memorable milestones, and serve as a reminder that at the end of the day family can sometimes feel more like a sentence than a choice.

Family attorney and mom, Lynn Holt, has had to scramble to keep her family and her law firm together, since her husband left her and took most of their joint law practice with him. Although the attorneys are carting plenty of life's baggage, they're all determined to make the most of this unexpected second chance—and make each month's mortgage payment.

Family attorney and mom, Lynn Holt, has had to scramble to keep her family and her law firm together, since her husband left her and took most of their joint law practice with him. Although the attorneys are carting plenty of life's baggage, they're all determined to make the most of this unexpected second chance—and make each month's mortgage payment.

Lawyer and recovering alcoholic Abigail Bianchi is struggling to put her career and family back together after hitting rock bottom. As a condition of her probation, Abby is forced to work at her estranged father’s firm, Svensson and Associates, and practice in family law for the first time while forging new relationships with the half-brother and half-sister whom she’s never met. The result is a dysfunctional family law firm operating to help other families with their own dysfunctions.

A man in his thirties does not want to be like his father, but that seems to be unavoidable.

Two intertwined families who have made half a century of cinema. La Grande Bouffe, We won’t grow old together, Tchao Pantin, Apocalypse Now, Bienvenue Chez les Ch’tis, The Artist. At the center of this family, an unknown to the general public: Paul Rassam. His brother and his brother-in-law are more famous: the sulphurous Jean-Pierre Rassam and Claude Berri. It is a story peppered with drama, and today, a new generation has taken over. Thomas Langmann – son of Claude Berri – and Dimitri Rassam, son of Carole Bouquet and Jean-Pierre Rassam.

After ratting out his Mafia cohorts, Giovanni Manzoni and his family enter the Witness Protection Program and relocate to a sleepy town in France. Despite the best efforts of their handler to keep them in line, Giovanni (now called Fred Blake), his wife and children can't help but resort to doing things the "family" way. However, their dependence on such old habits places everyone in danger from vengeful mobsters.

A family has a hard time tying to stay together, because murder seems to be in their blood, and a their favorite type of gathering is a massacre.

Directed by French Director Christian Faure and released in 2014, The Law brilliantly traces three days, in late Fall 1974, of stormy debate in the French National Assembly, around a bill which would make "voluntary termination of pregnancy" legal. Behind this bill stands a lone woman brilliantly played by a remarkable Emmanuelle Devos (also in The Other Son): Simone Veil the Minister of Health in the Jacques Chirac government during the presidency of Valéry Giscard d'Estaing. During these three days of violent debate Veil, a Jew and Holocaust survivor, is spared nothing: political negotiations, solitude, sparring arguments, insults and violence to her family. In spite of all of this, Veil never wavers.

An examination of the workings of a big city's legal system as seen through the eyes of people involved in a sensational murder trial.